Talk about the landscape lighting of ethnic architecture

As the name suggests, it means the building that was left in ancient times. Nowadays a lot of antiques are built, so the general saying should be ethnic architecture, which contains ancient architecture. Some experiences and suggestions have been given from the experience of some ancient construction projects.
Trend: The proportion of ethnic buildings in landscape lighting will further increase
The proportion of ethnic buildings in landscape lighting will further increase. He analyzed the reasons for this increase in several ways:
First of all, it depends on the return. Look at the feedback from others after the landscape lighting is done. Some people say it well, some people say it is bad or even be jealous. However, the landscape lighting of the ancient building will be relatively better, because it is linked to the tourism, at least some returns can be seen, so this is a reason;
Second, this piece has a relatively strong demand;
Third, the ancient building lighting is done, it is easier to get out.
Controversy: more controversy about implementation methods and effects
There are many disputes about the implementation techniques and effects of Gujian Lighting. The reasons for this are historical reasons and cultural reasons. He also used his own personal experience as an example. He said that the most controversy he encountered was "the ancient building lighting should show brilliance or embody the vicissitudes of life", as well as "handwork, use of light and the relationship between history and culture" and so on.
In response to the dispute, the individual believes that the characteristics and style of the building should be displayed as realistically and comprehensively as possible. Personally, at this stage, don't think too much about culture. As long as it does not conflict with this building and historical background, you can achieve certain compatibility. In most cases, you should mainly show brilliance. At the same time, taking your own experience as an example, if the ancient construction is too much to reflect the vicissitudes of life, it is not good, because the main purpose of the ancient construction is to promote tourism, in order to attract tourists, in order to reflect the glory of the time. If it really reflects the vicissitudes of life, you should go to the museum. Of course, the glory can not be excessive, and the excess will change.
Do not agree with the four concepts
First, I don't quite agree with the excessive pursuit of light and dark halo. Many people think that the halo sense is the most beautiful element of landscape lighting, but after a lot of halo feelings are pursued, it is a bit unworthy. Because of the excessive pursuit, there are a few light spots that people really see. From a distance, they don’t know what it is. It can be said that the buildings that are originally beautiful have become fragmented.
Second, I believe that lighting taboos are kidnapped by historical background and culture. Many projects nowadays, many people say that they need to conform to the historical elements, they say what must be done, if you say bad, he still has to insist, so it is often kidnapped.
Third, it is not very advisable to force the style or creation of the meeting.
Fourth, compare the cult-like extension or fabrication culture. He believes that culture should be properly promoted, but advocate
Excessive is not right, like the five elements of gossip, all of which have to come in, which he himself does not advocate. I think that lighting itself is a modern science. If it is forcibly linked to the five elements and the Eight Diagrams, it is more opposed.
Finally, the landscape lighting for ethnic buildings can only be displayed and cannot be changed. The absolute protagonist of landscape lighting is always architecture and environment, not light, not light.

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